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Sunday, February 21, 2016

Calling In Phil Anselmo

This is kind of old hat by now, but I wanted to get this post up anyway because it's important. As a blogger who writes about social justice and the metal scene, I don't think I ought to be silent on this, even if I am late to the party. (Or the slaughter, as it may be.)

Anyway, in case you don't listen to metal, or pay even less attention to news than I do, about a month ago Phil Anselmo, former lead vocalist of Pantera, made several racist gestures and comments while performing at Dimebash (the annual event in honor of deceased Pantera guitarist "Dimebag" Darrell Abbott). A fan caught him on video performing a "Sieg Heil" salute and shouting "White power," and he apparently made a comment using the N-word backstage to Robb Flynn of Machine Head. Robb later posted a rambling rant against Phil and racism in metal in general.

While Robb Flynn wasn't the only one in the metal scene taking Phil to task for his racist remarks, I know there's also a portion of the scene going "Who cares, extreme music is supposed to offend," or, "Yeah, that might be racist, but I just like the music, I don't care about the politics." Seeing as that's what so many people say about NSBM (nationalist socialist black metal), misogyny in the metal scene, etc. Because sometimes people with shitty views do make music that sounds really good, and when that bigoted person is on the other side of the world and you're listening to their music on Youtube, it's easy to feel like it doesn't matter.

I've been there. I used to like the music of this one band, probably the most notorious NSBM band, although I didn't know it at the time. When I found out about the neo-Nazi activities of the person behind the band, it took a long time for me to sort out how I felt about it and what to do. A similar thing, but even more intense, happened a while back when I found out that a science fiction and fantasy writer who was one of my faves when I was a teen was giving part of his book profits to anti-LGBT organizations. It took years for me to figure out how I felt about it, but eventually I decided I would never read any of his books again, nor even say his name. It was tough at first, because I had been so moved and inspired by his books, and at first I regretted not being able to continue reading or even recommending his work. But at the same time, I didn't want to give one iota of support, whether in terms of money or publicity, to those sort of views.

Same thing for that one NSBM band, or any other one I might come across, no matter how awesome the music. I decided that I can't separate any act from its social or political impact, and I can't stomach doing anything that would contribute even tangentially to hate or supporting any person who expresses hate in any way.

When I thought of it that way, it helped me to let go of the books I wanted to read and the music I wanted to listen to. I mean, what's more important, being able to enjoy this one band's music, when there are also zillions of other bands out there I could listen to, or the lives of people who will be negatively impacted by the racist and neo-Nazi views and actions the band is encouraging? (Some credit for the phrasing of this thought goes to Metal Chris of DC Heavy Metal, who made the point "there are so many other bands to listen to" in a Facebook discussion about the Phil incident.) Certainly it isn't easy giving up a favorite band, or author, but then again doing the right thing often isn't easy.

But my conscience does rest a lot easier knowing I did the right thing.

So does this mean I will never listen to Pantera again? Well, this story actually has a slightly different ending. For one thing, Pantera was not all Phil, and Rita Haney, Dimebag Darrell's girlfriend, came out condemning Phil's white supremacist actions, while also accepting his apology for the same. Not only that, but later, on February 4 or 5 (judging from tweets of some of the same text) Phil posted another, heartfelt apology, which appears as the splash page of his website:


Since he says, "My band mates are now experiencing the consequences of my behavior," to the point that he has "privately suggested to them that they move on without" him, it seems that, this time the metal community has actually stood up and not made excuses, but has held him accountable for his actions and words at Dimebash, and he is feeling the pressure. Some performances of his current band Down were cancelled even after the new apology, it seems.

And I really want to believe him when he says that "Every citizen in this entire world has the unalienable right to live with dignity and respect without hate or oppression" and "I am utterly responsible for the mistakes I have made, and can only give you my word to no longer do them in the present, through ACTION, not just mere words." I want to believe he really means those things -- not just because I believe in the inherent goodness of people and in giving them a second chance, but because I believe in those things that he said and yearn for other people to believe and work toward them, too.

A couple days ago while working at the library I happened to skim through a book about one of the dogs from Michael Vick's dogfighting ring. At the end of the book was a timeline of the case, what happened to the dogs, and Michael Vick's life afterward. He apparently went bankrupt from being suspended from the NFL and losing his endorsement deals, but then three years later in 2010 he was starting quarterback for the Philadelphia Eagles. My first reaction was, "WTF, they not only let him back in the NFL but gave him a star position, after what he did to those dogs?!" My second thought was, "Well, he did go bankrupt -- is it possible he suffered enough already for what he did, and perhaps ought to have a chance to go on with his life?"

Well, I just looked into it, and it seems like actually, he did not suffer that much -- never served time for animal cruelty, nor expressed any remorse about it, despite the fact that not only did he run a dogfighting ring but brutally tortured and killed the losing dogs.

But anyway, back to Phil Anselmo -- my reaction to the book did lay the groundwork for my reaction to Phil's apology. He has already done more than Michael Vick just by apologizing with such apparent sincerity, and the path is still open for him to atone for his actions. Only time will tell, but the tone of his apology makes me think that this time, maybe he will.

That is why I titled this post "Calling In Phil Anselmo." He has been called out by so many people in the metal scene. He has been sanctioned for what he did. In terms of negative reactions toward his actions, there's not much left to do. It's up to him now to change himself, to make amends, to show he's fit to rejoin the metal scene, a scene that, now in 2016, will no longer tolerate blatant racism from public figures. Because I'm so optimistic about human beings, I hope he will do that and we can invite him back in. (Not that I have any authority to do such a thing. I would guess that POC metal musicians and/or fans would be the most appropriate judges of whether Phil has atoned, although in reality it will probably be some combination of record labels and the media who decide when Phil is "acceptable" again.)

The scene's rising up to speak out against Phil's actions at Dimebash, while awesome to see, was kind of surprising, actually. After all he had been saying stuff like that for decades. But then again, this incident came at a time when race tensions are especially high and the topic is at the forefront of attention in the U.S. It couldn't be worse for him but in a way, it couldn't be better. There couldn't be a better time for us, the metal scene, to practice holding each other accountable, and for us, all of us, including Phil, to work for a more inclusive and equitable scene, and society.

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